My current body of work is inspired by the English landscape, especially the few remaining pockets of unspoilt "old England". It's fascinating to experience these places because they are so historically ambiguous. Walking around them you would hardly know what century you were in. My paintings aim to capture that ambiguity, both the artistic style and the landscape itself giving little indication as to the period they portray.

Traditional oil paintings take at least six months to dry sufficiently for a first varnish coat and framing. Works marked NYFS (Not yet for sale) are currently drying but will be available soon either directly from me or via one of my gallery outlets. I'm happy to accept paypal so if you buy direct, you'll be protected by their buyer guarantee scheme. Prints of all works are available immediately from Zazzle.


painting of Wainman's Pinnacle Cowling by Tim Wetherell
painting of Minehead Bay
Tim Wetherell, The letter in Conygar Woods
Showers over Bossington
Australia
Netherwood House
Blood Moon
Tim Wetherell, painting of Jeanne Hebuterne
La Luna
The Swan Nebula
Made in China
painting of Edwardian house
The Astronomer's wife

Paintography

One of the great powers of photography as an art form is it's realism. I don't just mean that it looks real but that when one sees a photograph it portrays an event that really happened, a person that really lived. In that way photographs have the ability to move us in ways no other art form can, even in an age of digital manipulation.

Given that much of my work has a historical flavour, I began to wonder what would happen if I were to take some of my paintings and digitally manipulate them into photograph-like representations of a world that never was. I'm hoping to create a sort of surreal half way house between what's reality and what's pure imagination.

As it happens these kind of images follow what was very much a Victorian tradition. Models photographed in studio settings with a variety of found objects and painted backdrops depicting scenes far more exotic than the sitters were ever likely to experience first hand. Perhaps there's even a little irony too since my sitters in the modern world are combined into images that depict a past they will never be able to physically experience.

Click here to go to my Paintography page

paintography

Night of the red moon


Click here to email me if you're interested in original paintings.

Reasonably priced greeting cards and art prints of these and other of my works are available from our Zazzle store

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